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Friday, March 28, 2014

SNOOZE STATION

A Review of David Downing's Zoo Station


David Downing's Zoo Station kicks off the John Russell series, which now stands at 5 volumes. It's just turned 1939 when the novel opens and sabres are rattling. Russell, an Anglo-American journalist living in Berlin, plies his trade with his girlfriend movie star and son along to round his character out. He's a former Communist party member, a veteran of WWI with a desire to do the right thing. All the ingredients for a great Berlin Noir thriller.

Except ZOO STATION isn't. Thrilling, that is.

Downing does an exceptional job of recreating the sights and sounds of Berlin in 1939, only he does it a little too well and the novel begins to read like a travelogue. If you're a fan of books that come to a complete halt for descriptive details the reader can wallow in, then you will love ZOO STATION. If you're looking for an edge-of-your-seat adventure, look elsewhere.

Russell is going about his business when he is contacted by Soviet spies asking him to write a series of articles covering the Reich and the countries around the Germany. The idea is that if he were to fall across any sensitive information, that he will pass it on to the Soviets in exchange for the comfortable sum they will pay him for the pieces. The Nazis get wind of this deal and get him to "volunteer" to report to them on anything he might learn from the Soviets. The British learn of this and strike the same deal.

Sure, if you're a fan of spy fiction, your mouth is watering. Well, here's a napkin, stop drooling. The novel unfolds this tale at a glacial pace. Russell goes from one place to the next and we are given detailed descriptions of how he got there, what he ate, what he saw, who he met, and that's about it. He teaches English to the daughters of a Jewish family preparing to emigrate. He witnesses the launching of the Bismarck, hears Hitler gives speeches, observes Nazi cruelty and so on but none of these things affect the plot in any way. Russell writes his articles, goes to games with his son, beds his girlfriend every time they meet, then listens to her complain about the German film industry. All very slice of life, all very well presented, all dull as dishwater.

There are no thrills, no chills and your behind will stay firmly planted well back on your seat. The novel suffers from too many things happening around the characters and not too them. The result is a read rich in period detail and commendable for meticulous research but, ultimately, boring.

  
I strongly recommend ZOO STATION for the historical aspect, but not for the plot. If you're in the mood to visit Berlin, circa 1939, from the safely of your armchair, then this novel will scratch you right where you itch. If you're looking for an engaging thrilled amidst a bygone setting, you will be disappointed. ZOO STATION is a slow read on a rainy Sunday and that's about it. Also, you'll have no trouble falling asleep if you park this on on you bedside table for night time reading.

Friday, March 14, 2014

A GAME OF SIGHS

A Review of Rebecca Cantrell's A GAME OF LIES
 

This is the last of Rebecca Cantrell's books to be reviewed here at Berlin Noir, the third of the Hannah Vogel series, and I'm hoping she spares me further reading by not returning to the time period. As I've stated in the previous reviews, I am not the target audience for this series. The Hannah Vogel books are chick lit with Nazis and not my cup of schnapps. So please take the following review with a grain of salt.

A GAME OF LIES starts out with Hannah back in Berlin, risking life and limb to cover the 1936 Olympics. Well, actually, she's been spying on the Nazis and reporting their evil doings from the safety of Switzerland. At the games, she runs into her former boss and watches him die after drinking from a flask. Not sure if there's any connection between him collapsing immediately after taking a drink and what was in the flask, she sets out to find the truth. The Nazis say it's a heart attack, but Hannah isn't buying it.

That's the basic set up for the novel and, frankly, not a lot happens but this is typical of the series. This is another walky-talky novel with little to no action outside of the bedroom. We're told Hannah is menaced at every turn but aside from a run-in with an automobile and capture by the Gestapo in the last 20 pages of the book, nothing else happens. She is re-united with her former SS lover. They are on again, off again, I hate you, I love you waltz takes up most of the book while Hannah contemplates her break up with the lover she left outside Germany, worries about and misses her adopted son and the Olympics provide a paper-thin backdrop to the proceedings. The Macguffin is revealed way too late in the narrative with little to no build up other than Hannah's wondering what it might be and A GAME OF LIES becomes a game of sighs, of boredom.

Rebecca Cantrell's prose is uninspired with a straightforward, and dull, this happened, that happened, moving on plod that failed to captivate this reader. The period details are present but fail to have that immersive effect that Kerr's world creating manages so effortlessly. Everyone's afraid of Hannah and she's not going to take any bunk off anyone - even if it means to save her life. She's clearly got a death wish when you consider that she leaves her fate in the hands of some many others anyway though she likes to boss everyone around.

A GAME OF LIES is typical of the other books in the series and better than A NIGHT OF LONG KNIVES though that isn't saying much. There are much better Berlin Noir novels out there and so I can't recommend this one. If you're a romance fan, you might get more out of this series than I did. For me, I hope I've seen the last of Hannah Vogel and Cantrell's Berlin.